The BBC has produced multiple Shakespeare broadcasts nearly every year since the beginning. The definitive compendium of classic and modern oratory expandedwith a new preface on what makes a speech 'great. Jethro Tull were, by the mid-seventies, one of the most successful live performing acts on the world stage, rivalling Led Zeppelin, Elton John and even the Rolling Stones. Would you stand up and walk out on me Lend me your ears and I'll sing you a song I will try not to sing out of key, yeah Oh, baby I get by with a little help from my friends By with a little help from my friends. Lend Me Your Ears: Great Speeches In History.
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These ninety-minute broadcasts had impressive ratings, but future shows were sporadic. Lend Me Your Ears will also be published as a 384 page full colour hardback edition at 39.99 (47.99) and a softback edition priced at 26.99 (36.00). The definitive compendium of classic and modern oratory expandedwith a new preface on what makes a speech great.
Australia may be the first country to produce the canon as it was then constituted, which they did from 1936–8. Canada could boast of the first North American Shakespeare broadcast, and there were regular productions in the nineteen thirties, forties, fifties and nineties.
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The US had several broadcasts in the nineteen twenties and two short Shakespeare series in the thirties, but the plays all but disappeared by the nineteen fifties, except for the annual broadcasts by the Oregon Shakespeare Festival on the National Broadcasting Company and National Public Radio. The BBC was the first to broadcast Shakespeare, and has done so more than anyone else. In Lend Me Your Ears Max Atkinson - A Highly Experienced Speaker And Trainer, Having Been Involved In Speech Writing For Business, Politics And The Arts For. For the sake of simplicity, I mean here by adaptation what the BBC and its directors usually mean when they use the word: putting a more or less full-length Shakespeare play on the radio, with adjustments made for time and radio’s non-visual needs. Perhaps they are correct to do this, for adaptations take on different characteristics over time, in different media, at the hands of different adapters, and as Courtney Lehmann points out, there are vastly different degrees of adaptation. We can see the broad outlines of this work by considering three carefully chosen directors whose Shakespeare productions seem intrinsically interesting, and noting the range of broadcasts they produced.Ĭritics have lately problematized an old and simple concept, that of retelling stories, in this case stories created for the stage retold on radio. Lend Me Your Ears: A Fan History by Richard Houghton will be published by This Day In Music Books on September 15. Since then, the Corporation’s output has been too vast, the numbers of people involved too large, and the variety of shows too varied for this article to give more than a sampling. The British Broadcasting Corporation’s first Shakespeare radio programme was on 16 February 1923.
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